Awakening by Tim Engelhardt cover art
Key
1B · B major
BPM
121
Open Key
6d
Energy
38/100
Pop
2/100
Length
1:15
Released
2020
Genre
Tech House
Loudness
-16.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 121 BPM in B major (1B), Awakening is a club-tempo tech house production. The feel is brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 91% of Tim Engelhardt's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 89% of Tim Engelhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood20Dark
Groove76
Acoustic91
Instrumental87
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Awakening in?

Awakening by Tim Engelhardt is in B major, or 1B on the Camelot wheel.

What BPM is Awakening?

Awakening runs at 121 BPM, a club-tempo track.

What mixes well with Awakening?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Awakening good for peak time?

With energy 38 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 121 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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