GOOD TIMES - MJ Cole Remix
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 3:50
- Released
- 2022
- Album
- GOOD TIMES (MJ Cole Remix)
- Genre
- Uk Garage
- Loudness
- -4.8 dB
- Dynamics
- 19.2 dB
- ISRC
- QMDA62299327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
GOOD TIMES - MJ Cole Remix: peak-time tempo uk garage, B minor (10A), 133 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 19 dB). More underground than 99% of MJ Cole's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of MJ Cole's catalogue
- Energy:
- hotter than 87% of MJ Cole's catalogue
- Groove:
- less groove-driven than 79% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is GOOD TIMES - MJ Cole Remix in?
GOOD TIMES - MJ Cole Remix by MJ Cole is in B minor, or 10A on the Camelot wheel.
What BPM is GOOD TIMES - MJ Cole Remix?
GOOD TIMES - MJ Cole Remix runs at 133 BPM, a peak-time tempo track.
What mixes well with GOOD TIMES - MJ Cole Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is GOOD TIMES - MJ Cole Remix good for peak time?
With energy 85 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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