Excuse You - ONNO Remix
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 84/100
- Pop
- 9/100
- Length
- 6:54
- Released
- 2016
- Album
- Restoration EP
- Genre
- Tech House
- Loudness
- -6.9 dB
- Dynamics
- 8.8 dB
- ISRC
- GBLV61509944
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Excuse Youoriginal11A · 124
Against the original (11A at 124 BPM), this version runs 1 BPM slower and moves the key from 11A to 10B.
Excuse You - ONNO Remix runs 123 BPM in D major (10B), a club-tempo tech house record. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More bass-heavy than 94% of Michael Bibi's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 88% of Michael Bibi's catalogue
- Reach:
- more underground than 81% of Michael Bibi's catalogue
- Groove:
- less groove-driven than 79% of Michael Bibi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Excuse You - ONNO Remix in?
Excuse You - ONNO Remix by Michael Bibi is in D major, or 10B on the Camelot wheel.
What BPM is Excuse You - ONNO Remix?
Excuse You - ONNO Remix runs at 123 BPM, a club-tempo track.
What mixes well with Excuse You - ONNO Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Excuse You - ONNO Remix good for peak time?
With energy 84 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Michael Bibi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
