Not There
30s preview
- BPM
- 121
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 2/100
- Length
- 8:32
- Released
- 2023
- Genre
- Progressive House
- Label
- Protagonist Recordings
- Loudness
- -11.8 dB
- Dynamics
- 14.1 dB
- ISRC
- GBKQU2394414
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Not There: club-tempo progressive house, B♭ minor (3A), 121 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 92% of Michael A's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 88% of Michael A's catalogue
- Reach:
- better known than 79% of Michael A's catalogue
- Tempo:
- slower than 78% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Not There in?
Not There by Michael A is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Not There?
Not There runs at 121 BPM, a club-tempo track.
What mixes well with Not There?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Not There good for peak time?
With energy 88 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Revolution [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
How to mix it
In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
