Bumper - No Work All Play Remix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 50/100
- Pop
- 12/100
- Length
- 6:45
- Released
- 2018
- Album
- You Are Safe Remixes
- Genre
- Indie Rock
- Loudness
- -12.9 dB
- Dynamics
- 10.2 dB
- ISRC
- DEEC31850061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bumperoriginal8A · 120
Against the original (8A at 120 BPM), this version runs 5 BPM faster and moves the key from 8A to 10B.
A club-tempo indie rock cut, Bumper - No Work All Play Remix sits in D major (10B) at 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Darker than 99% of &ME's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 98% of &ME's catalogue
- Energy:
- calmer than 88% of &ME's catalogue
- Tempo:
- faster than 88% of &ME's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Bumper - No Work All Play Remix in?
Bumper - No Work All Play Remix by &ME is in D major, or 10B on the Camelot wheel.
What BPM is Bumper - No Work All Play Remix?
Bumper - No Work All Play Remix runs at 125 BPM, a club-tempo track.
What mixes well with Bumper - No Work All Play Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Bumper - No Work All Play Remix good for peak time?
With energy 50 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More indie rock
More from &ME
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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