Together Is Better - Original Mix
30s preview
- BPM
- 121
- Open Key
- 3m
- Energy
- 52/100
- Pop
- 1/100
- Length
- 7:11
- Released
- 2013
- Album
- Message To Hell PT. 2
- Genre
- Tech House
- Loudness
- -11.8 dB
- Dynamics
- 8.3 dB
- ISRC
- NLCK41402691
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Together Is Better - Reset Robot Remixremix9B · 123
A club-tempo tech house cut, Together Is Better - Original Mix sits in B minor (10A) at 121 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 98% of Wade's catalogue.
- Low end:
- more bass-heavy than 97% of Wade's catalogue
- Tempo:
- slower than 96% of Wade's catalogue
- Groove:
- groovier than 93% of Wade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Together Is Better - Original Mix in?
Together Is Better - Original Mix by Wade is in B minor, or 10A on the Camelot wheel.
What BPM is Together Is Better - Original Mix?
Together Is Better - Original Mix runs at 121 BPM, a club-tempo track.
What mixes well with Together Is Better - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Together Is Better - Original Mix good for peak time?
With energy 52 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Wade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
