You Are Safe
30s preview
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 35/100
- Pop
- 23/100
- Length
- 2:59
- Released
- 2017
- Genre
- Indie Rock
- Loudness
- -11.4 dB
- Dynamics
- 15.1 dB
- ISRC
- DEEC31750045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Are Safe - Solomun Remixremix10B · 124
- You Are Safeoriginal9B · 124
You Are Safe runs 124 BPM in C major (8B), a club-tempo indie rock record. Tonally it lands brooding and low-slung. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More treble-tilted than 98% of &ME's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of &ME's catalogue
- Groove:
- less groove-driven than 91% of &ME's catalogue
- Brightness:
- darker than 86% of &ME's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is You Are Safe in?
You Are Safe by &ME is in C major, or 8B on the Camelot wheel.
What BPM is You Are Safe?
You Are Safe runs at 124 BPM, a club-tempo track.
What mixes well with You Are Safe?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You Are Safe good for peak time?
With energy 35 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More indie rock
More from &ME
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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