Loving Arms - Original Mix
- BPM
- 125
- Open Key
- 4d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2014
- Album
- Factory 7 EP
- Genre
- Tech House
- Loudness
- -10.3 dB
- ISRC
- GBENT0154052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loving Arms - Paul Cart Remixremix3B · 125
- Loving Arms - Richard Ulh Remixremix11B · 125
- Loving Arms - Vertier Remixremix11B · 125
Loving Arms - Original Mix runs 125 BPM in A major (11B), a club-tempo tech house record. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Groovier than 99% of Max Chapman's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Max Chapman's catalogue
- Brightness:
- brighter than 96% of Max Chapman's catalogue
- Energy:
- calmer than 81% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Loving Arms - Original Mix in?
Loving Arms - Original Mix by Max Chapman is in A major, or 11B on the Camelot wheel.
What BPM is Loving Arms - Original Mix?
Loving Arms - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Loving Arms - Original Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Loving Arms - Original Mix good for peak time?
With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.