Gibby feat Fargetta
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:09
- Released
- 2019
- Album
- Gibby EP
- Genre
- Tech House
- Loudness
- -5.8 dB
- Dynamics
- 16.5 dB
- ISRC
- GBK6Y1939501
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gibby feat Fargetta runs 127 BPM in B minor (10A), a peak-time tempo tech house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Max Chapman's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of Max Chapman's catalogue
- Brightness:
- brighter than 89% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is Gibby feat Fargetta in?
Gibby feat Fargetta by Max Chapman is in B minor, or 10A on the Camelot wheel.
What BPM is Gibby feat Fargetta?
Gibby feat Fargetta runs at 127 BPM, a peak-time tempo track.
What mixes well with Gibby feat Fargetta?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Gibby feat Fargetta good for peak time?
With energy 90 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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