Escape - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 122
- Open Key
- 9m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2011
- Album
- The Rhythm Stick EP
- Genre
- Tech House
- Loudness
- -10.7 dB
- Dynamics
- 9.4 dB
- ISRC
- GBSCL1150017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Escape - Original Mix: club-tempo tech house, F minor (4A), 122 BPM. It reads as balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of Max Chapman's catalogue
- Tempo:
- slower than 92% of Max Chapman's catalogue
- Low end:
- more bass-heavy than 91% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Escape - Original Mix in?
Escape - Original Mix by Max Chapman is in F minor, or 4A on the Camelot wheel.
What BPM is Escape - Original Mix?
Escape - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Escape - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Escape - Original Mix good for peak time?
With energy 57 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.