The Golden Sun and the Silver Moon by Guy Gerber cover art

The Golden Sun and the Silver Moon

Guy Gerber

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
59/100
Pop
25/100
Length
6:02
Released
2012
Genre
Tech House
Loudness
-14.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, The Golden Sun and the Silver Moon sits in B♭ minor (3A) at 122 BPM. It reads as bright and easy. The mix is almost entirely instrumental. The timbre leans bright. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Brighter than 93% of Guy Gerber's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 91% of Guy Gerber's catalogue
Tempo:
slower than 85% of Guy Gerber's catalogue
Groove:
less groove-driven than 83% of Guy Gerber's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood83Bright
Groove63
Acoustic9
Instrumental75
Live8
Speech3
brightrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Golden Sun and the Silver Moon in?

The Golden Sun and the Silver Moon by Guy Gerber is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Golden Sun and the Silver Moon?

The Golden Sun and the Silver Moon runs at 122 BPM, a club-tempo track.

What mixes well with The Golden Sun and the Silver Moon?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Golden Sun and the Silver Moon good for peak time?

With energy 59 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Guy Gerber

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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