Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix
- Key
- 1B · B major
- BPM
- 152
- Half-time
- 76
- Open Key
- 6d
- Energy
- 88/100
- Pop
- 4/100
- Length
- 5:22
- Released
- 2017
- Album
- Got The Love (feat. Jennifer Hartswick) [Kill The Zo Remix]
- Genre
- Trance
- Loudness
- -4.5 dB
- ISRC
- USQY51766092
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix runs 152 BPM in B major (1B), a fast trance record. The feel is dark and driving. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Faster than 84% of Mat Zo's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 77% of Mat Zo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix in?
Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix by Mat Zo is in B major, or 1B on the Camelot wheel.
What BPM is Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix?
Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix runs at 152 BPM, a fast track.
What mixes well with Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Got The Love (feat. Jennifer Hartswick) - Kill The Zo Remix good for peak time?
With energy 88 out of 100 at 152 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 152 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 152 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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