Shout-N-Out - Masters At Work Instrumental Remix
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 66/100
- Pop
- 1/100
- Length
- 8:51
- Released
- 2025
- Album
- Shout-N-Out (Remixes)
- Genre
- House
- Loudness
- -9.8 dB
- Dynamics
- 11.5 dB
- ISRC
- GBKQU2558350
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shout-N-Out - The DJ Dubversion8B · 123
- Shout-N-Out - Masters At Work Remixremix3B · 124
- Shout-N-Out - Dennis Quin Remixremix8B · 125
- Shout-N-Out - Blackchild (ITA) Remixremix3B · 127
- Shout-N-Out - Rocco Rodamaal DJ Dub Toolversion10B · 123
- Shout-N-Out - Cafe 432 & Ronnie Herel Remixremix4A · 123
A club-tempo house cut, Shout-N-Out - Masters At Work Instrumental Remix sits in F♯ major (2B) at 124 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 87% of Masters At Work's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Shout-N-Out - Masters At Work Instrumental Remix in?
Shout-N-Out - Masters At Work Instrumental Remix by Masters At Work is in F♯ major, or 2B on the Camelot wheel.
What BPM is Shout-N-Out - Masters At Work Instrumental Remix?
Shout-N-Out - Masters At Work Instrumental Remix runs at 124 BPM, a club-tempo track.
What mixes well with Shout-N-Out - Masters At Work Instrumental Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Shout-N-Out - Masters At Work Instrumental Remix good for peak time?
With energy 66 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
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How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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