Shout-N-Out - Blackchild (ITA) Remix
- BPM
- 127
- Open Key
- 8d
- Energy
- 75/100
- Pop
- 3/100
- Length
- 6:20
- Released
- 2025
- Album
- Shout-N-Out (Remixes)
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- GBKQU2558352
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shout-N-Out - The DJ Dubversion8B · 123
- Shout-N-Out - Masters At Work Remixremix3B · 124
- Shout-N-Out - Dennis Quin Remixremix8B · 125
- Shout-N-Out - Rocco Rodamaal DJ Dub Toolversion10B · 123
- Shout-N-Out - Cafe 432 & Ronnie Herel Remixremix4A · 123
- Shout-N-Out - Dennis Quin Instrumental Remixremix3B · 125
Shout-N-Out - Blackchild (ITA) Remix is a peak-time tempo house track in D♭ major (3B) at 127 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 76% of Masters At Work's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shout-N-Out - Blackchild (ITA) Remix in?
Shout-N-Out - Blackchild (ITA) Remix by Masters At Work is in D♭ major, or 3B on the Camelot wheel.
What BPM is Shout-N-Out - Blackchild (ITA) Remix?
Shout-N-Out - Blackchild (ITA) Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Shout-N-Out - Blackchild (ITA) Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Shout-N-Out - Blackchild (ITA) Remix good for peak time?
With energy 75 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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