You by Kerri Chandler cover art

30s preview

Key
10A · B minor
BPM
127
Open Key
3m
Energy
75/100
Pop
20/100
Length
6:27
Released
2021
Genre
Deep House
Loudness
-10.8 dB
Dynamics
13.3 dB
ISRC
GBJX32157006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in B minor (10A), You is a peak-time tempo deep house production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 93% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 90% of Kerri Chandler's catalogue
Brightness:
darker than 86% of Kerri Chandler's catalogue
Low end:
more bass-heavy than 82% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood32Dark
Groove76
Acoustic0
Instrumental88
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is You in?

You by Kerri Chandler is in B minor, or 10A on the Camelot wheel.

What BPM is You?

You runs at 127 BPM, a peak-time tempo track.

What mixes well with You?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is You good for peak time?

With energy 75 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More deep house

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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