Tidal Wave - Will Atkinson Extended Remix
30s preview
- Key
- 8A · A minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 1m
- Energy
- 96/100
- Pop
- 5/100
- Length
- 7:35
- Released
- 2021
- Album
- Tidal Wave (Will Atkinson Remix)
- Genre
- Trance
- Loudness
- -3.6 dB
- Dynamics
- 9.7 dB
- ISRC
- NLE712100282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tidal Wave - Will Atkinson Remixremix8A · 140
- Tidal Wave - Daxson Remixremix8A · 135
- Tidal Wave (Destinations 25)original8A · 135
- Tidal Wave - KhoMha Remixremix8A · 128
- Tidal Wave - Daxson Extended Remixremix9B · 135
- Tidal Wave - Extended Mixversion9B · 135
Against the original (8A at 135 BPM), this version runs 5 BPM faster in the same key.
A driving up-tempo trance cut, Tidal Wave - Will Atkinson Extended Remix sits in A minor (8A) at 140 BPM. The feel is dark and driving. The master is loud and heavily compressed. Faster than 98% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 90% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 77% of Markus Schulz's catalogue
- Brightness:
- brighter than 75% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Tidal Wave - Will Atkinson Extended Remix in?
Tidal Wave - Will Atkinson Extended Remix by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Tidal Wave - Will Atkinson Extended Remix?
Tidal Wave - Will Atkinson Extended Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Tidal Wave - Will Atkinson Extended Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Tidal Wave - Will Atkinson Extended Remix good for peak time?
With energy 96 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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