I Hear You Calling
- BPM
- 115
- Open Key
- 11d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 3:58
- Released
- 2017
- Genre
- Progressive House
- Loudness
- -6.3 dB
- ISRC
- NLE711700281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Hear You Calling runs 115 BPM in B♭ major (6B), a mid-tempo progressive house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue.
- Tempo:
- slower than 98% of Markus Schulz's catalogue
- Brightness:
- brighter than 94% of Markus Schulz's catalogue
- Groove:
- groovier than 91% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Hear You Calling in?
I Hear You Calling by Markus Schulz is in B♭ major, or 6B on the Camelot wheel.
What BPM is I Hear You Calling?
I Hear You Calling runs at 115 BPM, a mid-tempo track.
What mixes well with I Hear You Calling?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is I Hear You Calling good for peak time?
With energy 80 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 115 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More progressive house
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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