The Best Way to Make Your Dreams Come True Is to Wake Up
30s preview
- BPM
- 114
- Open Key
- 4m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2010
- Genre
- Progressive House
- Loudness
- -6.3 dB
- Dynamics
- 11.8 dB
- ISRC
- NLD681300236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Best Way to Make Your Dreams Come True Is to Wake Up: mid-tempo progressive house, F♯ minor (11A), 114 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Solarstone's catalogue.
- Tempo:
- slower than 98% of Solarstone's catalogue
- Brightness:
- brighter than 97% of Solarstone's catalogue
- Low end:
- more treble-tilted than 85% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Best Way to Make Your Dreams Come True Is to Wake Up in?
The Best Way to Make Your Dreams Come True Is to Wake Up by Solarstone is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Best Way to Make Your Dreams Come True Is to Wake Up?
The Best Way to Make Your Dreams Come True Is to Wake Up runs at 114 BPM, a mid-tempo track.
What mixes well with The Best Way to Make Your Dreams Come True Is to Wake Up?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Best Way to Make Your Dreams Come True Is to Wake Up good for peak time?
With energy 85 out of 100 at 114 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 114 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More progressive house
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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