It's All Right - Jazz Dub
30s preview
- Key
- 1B · B major
- BPM
- 120
- Open Key
- 6d
- Energy
- 76/100
- Pop
- 5/100
- Length
- 4:35
- Released
- 2016
- Album
- It's All Right
- Genre
- House
- Loudness
- -10.3 dB
- Dynamics
- 11.5 dB
- ISRC
- GBCPZ1609903
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's All Rightoriginal10A · 120
Against the original (10A at 120 BPM), this version holds the same tempo and moves the key from 10A to 1B.
It's All Right - Jazz Dub is a club-tempo house track in B major (1B) at 120 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Brighter than 96% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 82% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is It's All Right - Jazz Dub in?
It's All Right - Jazz Dub by Mark Farina is in B major, or 1B on the Camelot wheel.
What BPM is It's All Right - Jazz Dub?
It's All Right - Jazz Dub runs at 120 BPM, a club-tempo track.
What mixes well with It's All Right - Jazz Dub?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is It's All Right - Jazz Dub good for peak time?
With energy 76 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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