Upside Down - Head Front Panel Remix
30s preview
- Key
- 9B · G major
- BPM
- 137
- Open Key
- 2d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 5:25
- Released
- 2017
- Album
- Snake Eyes EP
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 9.7 dB
- ISRC
- GB6WQ1700104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Upside Down - 2017 Mixoriginal9A · 133
Against the original (9A at 133 BPM), this version runs 4 BPM faster and moves the key from 9A to 9B.
At 137 BPM in G major (9B), Upside Down - Head Front Panel Remix is a driving up-tempo techno production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Faster than 75% of Mark Broom's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Upside Down - Head Front Panel Remix in?
Upside Down - Head Front Panel Remix by Mark Broom is in G major, or 9B on the Camelot wheel.
What BPM is Upside Down - Head Front Panel Remix?
Upside Down - Head Front Panel Remix runs at 137 BPM, a driving up-tempo track.
What mixes well with Upside Down - Head Front Panel Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Upside Down - Head Front Panel Remix good for peak time?
With energy 83 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 137 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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