The Edge of Chaos - Mark Broom Remix #1
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 88/100
- Pop
- 1/100
- Length
- 5:26
- Released
- 2019
- Album
- The Edge of Chaos (Mark Broom Remixes #1 & #2)
- Genre
- Techno
- Loudness
- -8.5 dB
- Dynamics
- 10.0 dB
- ISRC
- US83Z1916710
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Edge of Chaos - Mark Broom Remix #2remix10B · 130
The Edge of Chaos - Mark Broom Remix #1 runs 130 BPM in A major (11B), a peak-time tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More treble-tilted than 88% of Mark Broom's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Edge of Chaos - Mark Broom Remix #1 in?
The Edge of Chaos - Mark Broom Remix #1 by Mark Broom is in A major, or 11B on the Camelot wheel.
What BPM is The Edge of Chaos - Mark Broom Remix #1?
The Edge of Chaos - Mark Broom Remix #1 runs at 130 BPM, a peak-time tempo track.
What mixes well with The Edge of Chaos - Mark Broom Remix #1?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is The Edge of Chaos - Mark Broom Remix #1 good for peak time?
With energy 88 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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