The Advanced Series Vol II B1 - Mark Broom Edit
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 4/100
- Length
- 5:02
- Released
- 2021
- Album
- The Advanced Series Vol II B1 (Mark Broom Edit)
- Genre
- Techno
- Loudness
- -8.9 dB
- Dynamics
- 8.1 dB
- ISRC
- ITMVX2000235
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in B minor (10A), The Advanced Series Vol II B1 - Mark Broom Edit is a peak-time tempo techno production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 89% of Mark Broom's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 87% of Mark Broom's catalogue
- Reach:
- better known than 76% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Advanced Series Vol II B1 - Mark Broom Edit in?
The Advanced Series Vol II B1 - Mark Broom Edit by Mark Broom is in B minor, or 10A on the Camelot wheel.
What BPM is The Advanced Series Vol II B1 - Mark Broom Edit?
The Advanced Series Vol II B1 - Mark Broom Edit runs at 133 BPM, a peak-time tempo track.
What mixes well with The Advanced Series Vol II B1 - Mark Broom Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Advanced Series Vol II B1 - Mark Broom Edit good for peak time?
With energy 95 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Techno Monkey - [ Wex 10 ] Remix by Simina Grigoriu cover art](https://i.scdn.co/image/ab67616d00001e02197123acc69cc9484e3810ac){kind=small}
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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