Jackpot - Mihalis Safras Snc Remix by Mark Broom cover art

Jackpot - Mihalis Safras Snc Remix

Mark Broom

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
84/100
Pop
0/100
Length
6:44
Released
2009
Album
Jackpot
Genre
Techno
Loudness
-10.5 dB
Dynamics
9.9 dB
ISRC
GB3CE0900007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 126 BPM), this version runs 1 BPM slower in the same key.

At 125 BPM in B♭ minor (3A), Jackpot - Mihalis Safras Snc Remix is a club-tempo techno production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 96% of Mark Broom's catalogue
Brightness:
darker than 87% of Mark Broom's catalogue
Groove:
less groove-driven than 76% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood7Dark
Groove68
Acoustic0
Instrumental90
Live17
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Jackpot - Mihalis Safras Snc Remix in?

Jackpot - Mihalis Safras Snc Remix by Mark Broom is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Jackpot - Mihalis Safras Snc Remix?

Jackpot - Mihalis Safras Snc Remix runs at 125 BPM, a club-tempo track.

What mixes well with Jackpot - Mihalis Safras Snc Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Jackpot - Mihalis Safras Snc Remix good for peak time?

With energy 84 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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