Signs of War - Marco Ginelli Remix
30s preview
- BPM
- 132
- Open Key
- 6m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2018
- Album
- Signs of War
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 9.4 dB
- ISRC
- US83Z1801676
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Signs of War - Marco Ginelli Remix is a peak-time tempo techno track in A♭ minor (1A) at 132 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Signs of War - Marco Ginelli Remix in?
Signs of War - Marco Ginelli Remix by Marco Ginelli is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Signs of War - Marco Ginelli Remix?
Signs of War - Marco Ginelli Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Signs of War - Marco Ginelli Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Signs of War - Marco Ginelli Remix good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
![Cadmium 113 - ARTCØRE [TECHNO] Remix by Marco Ginelli cover art](https://i.scdn.co/image/ab67616d00001e02887e4fc0fcce95dbb98dbd76){kind=small}
How to mix it
In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
