Down All the Days (Till 1992) by Kink cover art

Down All the Days (Till 1992)

Kink

30s preview

Key
11B · A major
BPM
132
Open Key
4d
Energy
86/100
Pop
0/100
Length
4:57
Released
2008
Album
Picture Book
Genre
Techno
Loudness
-7.1 dB
Dynamics
15.1 dB
ISRC
GBUM70816024

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Down All the Days (Till 1992) sits in A major (11B) at 132 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2008 production that still circulates in sets. More underground than 99% of Kink's catalogue.

Energy:
hotter than 82% of Kink's catalogue
Groove:
groovier than 80% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood65Balanced
Groove66
Acoustic15
Instrumental0
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Down All the Days (Till 1992) in?

Down All the Days (Till 1992) by Kink is in A major, or 11B on the Camelot wheel.

What BPM is Down All the Days (Till 1992)?

Down All the Days (Till 1992) runs at 132 BPM, a peak-time tempo track.

What mixes well with Down All the Days (Till 1992)?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Down All the Days (Till 1992) good for peak time?

With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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