Psycho - CLTX remix
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 5/100
- Length
- 6:06
- Released
- 2023
- Album
- Rocking Horse
- Genre
- Techno
- Loudness
- -7.4 dB
- Dynamics
- 8.7 dB
- ISRC
- DECY52300712
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Psychooriginal10A · 150
Against the original (10A at 150 BPM), this version holds the same tempo and moves the key from 10A to 3B.
At 150 BPM in D♭ major (3B), Psycho - CLTX remix is a fast techno production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 96% of Luca Agnelli's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 95% of Luca Agnelli's catalogue
- Brightness:
- darker than 82% of Luca Agnelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Psycho - CLTX remix in?
Psycho - CLTX remix by Luca Agnelli is in D♭ major, or 3B on the Camelot wheel.
What BPM is Psycho - CLTX remix?
Psycho - CLTX remix runs at 150 BPM, a fast track.
What mixes well with Psycho - CLTX remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Psycho - CLTX remix good for peak time?
With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 150 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Luca Agnelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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