Biosphere - Hiroaki Iizuka Remix by Luca Agnelli cover art

Biosphere - Hiroaki Iizuka Remix

Luca Agnelli

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
88/100
Pop
1/100
Length
6:37
Released
2016
Album
Biosphere
Genre
Techno
Loudness
-5.5 dB
Dynamics
9.9 dB
ISRC
DETB31613294

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 127 BPM), this version runs 2 BPM slower and moves the key from 1B to 4A.

Biosphere - Hiroaki Iizuka Remix runs 125 BPM in F minor (4A), a club-tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Slower than 87% of Luca Agnelli's catalogue.

Low end:
more treble-tilted than 84% of Luca Agnelli's catalogue
Brightness:
brighter than 81% of Luca Agnelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood44Balanced
Groove68
Acoustic0
Instrumental84
Live64
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Biosphere - Hiroaki Iizuka Remix in?

Biosphere - Hiroaki Iizuka Remix by Luca Agnelli is in F minor, or 4A on the Camelot wheel.

What BPM is Biosphere - Hiroaki Iizuka Remix?

Biosphere - Hiroaki Iizuka Remix runs at 125 BPM, a club-tempo track.

What mixes well with Biosphere - Hiroaki Iizuka Remix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Biosphere - Hiroaki Iizuka Remix good for peak time?

With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

#TrackKey·BPM

More from Luca Agnelli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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