Heard It All Before - Mike Millrain & Mick James Remix
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 3:12
- Released
- 2018
- Album
- Heard It All Before (Remixes)
- Genre
- House
- Label
- Armada Deep
- Loudness
- -6.3 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF711811278
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heard It All Before - Dommix Remixremix4B · 130
- Heard It All Before - Low Steppa Boiling Point Extended Mixversion3A · 123
- Heard It All Before - Low Steppa's Warehouse Mixoriginal2B · 123
- Heard It All Before (extended mix)version3A · 123
- Heard It All Beforeoriginal3A · 123
- Heard It All Before - Low Steppa Boiling Point Mixoriginal3A · 123
Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 3A.
A club-tempo house cut, Heard It All Before - Mike Millrain & Mick James Remix sits in B♭ minor (3A) at 123 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Low Steppa's catalogue.
- Tempo:
- slower than 91% of Low Steppa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Heard It All Before - Mike Millrain & Mick James Remix in?
Heard It All Before - Mike Millrain & Mick James Remix by Low Steppa is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Heard It All Before - Mike Millrain & Mick James Remix?
Heard It All Before - Mike Millrain & Mick James Remix runs at 123 BPM, a club-tempo track.
What mixes well with Heard It All Before - Mike Millrain & Mick James Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Heard It All Before - Mike Millrain & Mick James Remix good for peak time?
With energy 84 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Low Steppa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
