Turned Onto You - Album Mix
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 3m
- Energy
- 55/100
- Pop
- 8/100
- Length
- 5:46
- Released
- 2016
- Album
- Louie Vega Starring...XXVIII
- Genre
- Latin
- Loudness
- -10.2 dB
- Dynamics
- 13.2 dB
- ISRC
- US4DK0401104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Turned Onto You - Album Mix is a slow-groove tempo latin track in B minor (10A) at 92 BPM. It reads as balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Slower than 99% of Louie Vega's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 90% of Louie Vega's catalogue
- Low end:
- more treble-tilted than 85% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Turned Onto You - Album Mix in?
Turned Onto You - Album Mix by Louie Vega is in B minor, or 10A on the Camelot wheel.
What BPM is Turned Onto You - Album Mix?
Turned Onto You - Album Mix runs at 92 BPM, a slow-groove tempo track.
What mixes well with Turned Onto You - Album Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Turned Onto You - Album Mix good for peak time?
With energy 55 out of 100 at 92 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 92 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More latin
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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