Get At You
- Key
- 7A · D minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 12m
- Energy
- 52/100
- Pop
- 30/100
- Length
- 3:37
- Released
- 2023
- Genre
- Downtempo
- Loudness
- -6.7 dB
- ISRC
- USA2B2316326
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get At You: downtempo, D minor (7A), 180 BPM. Tonally it lands balanced in mood. The mix is almost entirely instrumental. Faster than 91% of El Búho's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 90% of El Búho's catalogue
- Brightness:
- brighter than 76% of El Búho's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get At You in?
Get At You by El Búho is in D minor, or 7A on the Camelot wheel.
What BPM is Get At You?
Get At You runs at 180 BPM.
What mixes well with Get At You?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Get At You good for peak time?
With energy 52 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 180 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More downtempo
More from El Búho
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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