When the Night Is Over
- BPM
- 176
- Half-time
- 88
- Open Key
- 3d
- Energy
- 53/100
- Pop
- 9/100
- Length
- 5:41
- Released
- 1991
- Album
- When The Night Is Over
- Genre
- Latin
- Loudness
- -13.2 dB
- ISRC
- USAT20000113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A latin cut, When the Night Is Over sits in D major (10B) at 176 BPM. The feel is bright and easy. It is vocal-led. The master keeps real dynamic headroom. A 1991 production that still circulates in sets. Faster than 99% of Louie Vega's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 98% of Louie Vega's catalogue
- Energy:
- calmer than 92% of Louie Vega's catalogue
- Reach:
- better known than 77% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is When the Night Is Over in?
When the Night Is Over by Louie Vega is in D major, or 10B on the Camelot wheel.
What BPM is When the Night Is Over?
When the Night Is Over runs at 176 BPM.
What mixes well with When the Night Is Over?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is When the Night Is Over good for peak time?
With energy 53 out of 100 at 176 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 176 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 176 — beatmatch without a big tempo pull.
More latin
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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