Boyd's Jam - On The Organ Mix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 82/100
- Pop
- 4/100
- Length
- 6:57
- Released
- 2023
- Album
- MAW Lost Tapes 3
- Genre
- House
- Loudness
- -10.7 dB
- Dynamics
- 10.7 dB
- ISRC
- GBKQU2336434
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Boyd's Jam - MAW Synth Dubversion2A · 122
- Boyd's Jam - MAW Zipper Beatsoriginal11A · 122
Boyd's Jam - On The Organ Mix runs 122 BPM in B♭ minor (3A), a club-tempo house record. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Brighter than 85% of Louie Vega's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 84% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Boyd's Jam - On The Organ Mix in?
Boyd's Jam - On The Organ Mix by Louie Vega is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Boyd's Jam - On The Organ Mix?
Boyd's Jam - On The Organ Mix runs at 122 BPM, a club-tempo track.
What mixes well with Boyd's Jam - On The Organ Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Boyd's Jam - On The Organ Mix good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.