Boyd's Jam - MAW Synth Dub
30s preview
- BPM
- 122
- Open Key
- 7m
- Energy
- 78/100
- Pop
- 2/100
- Length
- 6:57
- Released
- 2023
- Album
- MAW Lost Tapes 3
- Genre
- House
- Loudness
- -10.4 dB
- Dynamics
- 10.6 dB
- ISRC
- GBKQU2336435
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Boyd's Jam - On The Organ Mixoriginal3A · 122
- Boyd's Jam - MAW Zipper Beatsoriginal11A · 122
Against the original (3A at 122 BPM), this version holds the same tempo and moves the key from 3A to 2A.
A club-tempo house cut, Boyd's Jam - MAW Synth Dub sits in E♭ minor (2A) at 122 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 84% of Louie Vega's catalogue. For programming, treat it as a floor-filler.
- Groove:
- less groove-driven than 83% of Louie Vega's catalogue
- Brightness:
- brighter than 75% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Boyd's Jam - MAW Synth Dub in?
Boyd's Jam - MAW Synth Dub by Louie Vega is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Boyd's Jam - MAW Synth Dub?
Boyd's Jam - MAW Synth Dub runs at 122 BPM, a club-tempo track.
What mixes well with Boyd's Jam - MAW Synth Dub?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Boyd's Jam - MAW Synth Dub good for peak time?
With energy 78 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 122 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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