Gene's First Bass Dub by Masters At Work cover art

Gene's First Bass Dub

Masters At Work

Key
8A · A minor
BPM
122
Open Key
1m
Energy
78/100
Pop
14/100
Length
4:55
Released
2024
Album
MAW Lost Tapes 15
Genre
House
Loudness
-8.6 dB
ISRC
GBKQU2438837

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Gene's First Bass Dub: club-tempo house, A minor (8A), 122 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Slower than 88% of Masters At Work's catalogue. In a set it works best as a floor-filler.

Groove:
less groove-driven than 84% of Masters At Work's catalogue
Reach:
better known than 80% of Masters At Work's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood58Balanced
Groove71
Acoustic0
Instrumental90
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Gene's First Bass Dub in?

Gene's First Bass Dub by Masters At Work is in A minor, or 8A on the Camelot wheel.

What BPM is Gene's First Bass Dub?

Gene's First Bass Dub runs at 122 BPM, a club-tempo track.

What mixes well with Gene's First Bass Dub?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Gene's First Bass Dub good for peak time?

With energy 78 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More house

More from Masters At Work

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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