together (we are more)
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 67/100
- Pop
- 15/100
- Length
- 5:14
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -6.8 dB
- Dynamics
- 15.1 dB
- ISRC
- GBEWA2504501
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in B♭ minor (3A), together (we are more) is a club-tempo progressive house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 96% of Leaving Laurel's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 87% of Leaving Laurel's catalogue
- Groove:
- groovier than 81% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is together (we are more) in?
together (we are more) by Leaving Laurel is in B♭ minor, or 3A on the Camelot wheel.
What BPM is together (we are more)?
together (we are more) runs at 124 BPM, a club-tempo track.
What mixes well with together (we are more)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is together (we are more) good for peak time?
With energy 67 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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