Hot As You Want - Live with Solomon Grey
- BPM
- 120
- Open Key
- 5m
- Energy
- 54/100
- Pop
- 23/100
- Length
- 3:28
- Released
- 2016
- Album
- Rise (Live & In Session)
- Genre
- Downtempo
- Label
- Anjunadeep
- Loudness
- -13.5 dB
- ISRC
- GBEWA1501963
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hot as You Wantoriginal1A · 125
- Hot As You Want - Original Mixoriginal1A · 125
- Hot As You Want - In Session with Solomon Greyoriginal1A · 125
Against the original (1A at 125 BPM), this version runs 5 BPM slower and moves the key from 1A to 12A.
At 120 BPM in D♭ minor (12A), Hot As You Want - Live with Solomon Grey is a club-tempo downtempo production. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Slower than 97% of Lane 8's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 92% of Lane 8's catalogue
- Energy:
- calmer than 84% of Lane 8's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hot As You Want - Live with Solomon Grey in?
Hot As You Want - Live with Solomon Grey by Lane 8 is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Hot As You Want - Live with Solomon Grey?
Hot As You Want - Live with Solomon Grey runs at 120 BPM, a club-tempo track.
What mixes well with Hot As You Want - Live with Solomon Grey?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Hot As You Want - Live with Solomon Grey good for peak time?
With energy 54 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More downtempo
More from Lane 8
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
