Luminous Beings by Jon Hopkins cover art

Luminous Beings

Jon Hopkins

30s preview

Key
4B · A♭ major
BPM
120
Open Key
9d
Energy
49/100
Pop
36/100
Length
11:51
Released
2018
Genre
Downtempo
Label
Domino
Loudness
-16.2 dB
Dynamics
16.7 dB
ISRC
GBCEL1700698

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Luminous Beings: club-tempo downtempo, A♭ major (4B), 120 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2018 production that still circulates in sets. Groovier than 85% of Jon Hopkins's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 84% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood20Dark
Groove65
Acoustic16
Instrumental93
Live17
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Luminous Beings in?

Luminous Beings by Jon Hopkins is in A♭ major, or 4B on the Camelot wheel.

What BPM is Luminous Beings?

Luminous Beings runs at 120 BPM, a club-tempo track.

What mixes well with Luminous Beings?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Luminous Beings good for peak time?

With energy 49 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More downtempo

More from Jon Hopkins

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track