Diamonds - In Session with Solomon Grey
30s preview
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 27/100
- Pop
- 11/100
- Length
- 5:12
- Released
- 2016
- Album
- Rise (Live & In Session)
- Genre
- Downtempo
- Label
- Anjunadeep
- Loudness
- -17.6 dB
- Dynamics
- 12.7 dB
- ISRC
- GBEWA1501962
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Diamondsoriginal7A · 120
- Diamondsoriginal7A · 120
- Diamonds - Live Versionoriginal7B · 120
Diamonds - In Session with Solomon Grey is a club-tempo downtempo track in F major (7B) at 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Calmer than 99% of Lane 8's catalogue.
- Tempo:
- slower than 97% of Lane 8's catalogue
- Low end:
- more bass-heavy than 96% of Lane 8's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Diamonds - In Session with Solomon Grey in?
Diamonds - In Session with Solomon Grey by Lane 8 is in F major, or 7B on the Camelot wheel.
What BPM is Diamonds - In Session with Solomon Grey?
Diamonds - In Session with Solomon Grey runs at 120 BPM, a club-tempo track.
What mixes well with Diamonds - In Session with Solomon Grey?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Diamonds - In Session with Solomon Grey good for peak time?
With energy 27 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More downtempo
More from Lane 8
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
