The Freak
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 74/100
- Pop
- 1/100
- Length
- 6:06
- Released
- 2020
- Album
- Under Pressure
- Genre
- Techno
- Loudness
- -8.7 dB
- Dynamics
- 9.4 dB
- ISRC
- GBLV61916788
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Freak is a peak-time tempo techno track in C major (8B) at 127 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 99% of Lampé's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 82% of Lampé's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Freak in?
The Freak by Lampé is in C major, or 8B on the Camelot wheel.
What BPM is The Freak?
The Freak runs at 127 BPM, a peak-time tempo track.
What mixes well with The Freak?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Freak good for peak time?
With energy 74 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Lampé
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
