Where Did All the Years Go?
30s preview
- Key
- 7B · F major
- BPM
- 126
- Open Key
- 12d
- Energy
- 88/100
- Pop
- 11/100
- Length
- 2:22
- Released
- 2022
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 10.9 dB
- ISRC
- DEL672200001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in F major (7B), Where Did All the Years Go? is a club-tempo trance production. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 91% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 82% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Where Did All the Years Go? in?
Where Did All the Years Go? by Kyau & Albert is in F major, or 7B on the Camelot wheel.
What BPM is Where Did All the Years Go??
Where Did All the Years Go? runs at 126 BPM, a club-tempo track.
What mixes well with Where Did All the Years Go??
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Where Did All the Years Go? good for peak time?
With energy 88 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
![Corsten's Countdown 453 Intro [CC453] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e025545b90a1f4d36f19bab0063){kind=small}
How to mix it
In 7B at 126 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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