Lost in Vain by Kyau & Albert cover art

Lost in Vain

Kyau & Albert

Key
7A · D minor
BPM
120
Open Key
12m
Energy
54/100
Pop
1/100
Length
3:37
Released
2004
Genre
Trance
Loudness
-9.9 dB
ISRC
DEL670400058

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lost in Vain: club-tempo trance, D minor (7A), 120 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. A 2004 production that still circulates in sets. Groovier than 99% of Kyau & Albert's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 98% of Kyau & Albert's catalogue
Energy:
calmer than 93% of Kyau & Albert's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood32Dark
Groove88
Acoustic60
Instrumental2
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lost in Vain in?

Lost in Vain by Kyau & Albert is in D minor, or 7A on the Camelot wheel.

What BPM is Lost in Vain?

Lost in Vain runs at 120 BPM, a club-tempo track.

What mixes well with Lost in Vain?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Lost in Vain good for peak time?

With energy 54 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More trance

More from Kyau & Albert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.