Be There 4 U (Original Mix)
30s preview
- BPM
- 138
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:08
- Released
- 2009
- Genre
- Trance
- Loudness
- -3.6 dB
- Dynamics
- 11.5 dB
- ISRC
- DEL671600066
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be There 4 U [Mix Cut] - Mat Zo Remixremix3B · 134
Be There 4 U (Original Mix) is a driving up-tempo trance track in B♭ minor (3A) at 138 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue.
- Energy:
- hotter than 98% of Kyau & Albert's catalogue
- Tempo:
- faster than 92% of Kyau & Albert's catalogue
- Groove:
- less groove-driven than 90% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Be There 4 U (Original Mix) in?
Be There 4 U (Original Mix) by Kyau & Albert is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Be There 4 U (Original Mix)?
Be There 4 U (Original Mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Be There 4 U (Original Mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Be There 4 U (Original Mix) good for peak time?
With energy 98 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Red (Listener's Choice) (CC485) [Ferry Corsten Remix] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02d43475cab3f0fce1403ef890){kind=small}
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