Polyheme by Kobosil cover art

Polyheme

Kobosil

Key
3A · B♭ minor
BPM
115
Open Key
8m
Energy
41/100
Pop
0/100
Length
5:35
Released
2014
Genre
Industrial
Loudness
-13.8 dB
ISRC
DEMM41401367

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Polyheme: mid-tempo industrial, B♭ minor (3A), 115 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Kobosil's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 95% of Kobosil's catalogue
Low end:
more bass-heavy than 78% of Kobosil's catalogue
Energy:
calmer than 77% of Kobosil's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood11Dark
Groove73
Acoustic2
Instrumental84
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
48%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Polyheme in?

Polyheme by Kobosil is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Polyheme?

Polyheme runs at 115 BPM, a mid-tempo track.

What mixes well with Polyheme?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Polyheme good for peak time?

With energy 41 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 115 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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