(Thank You For The) Days
- BPM
- 101
- Open Key
- 3d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 2:56
- Released
- 1968
- Genre
- Techno
- Loudness
- -8.7 dB
- ISRC
- GBUM71107247
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- (Wish I Could Fly Like) Superman - Live at Volkshaus, Zürich, Switzerland - November 1979original11B · 145
- (Wish I Could Fly Like) Supermanoriginal12A · 123
- (Wish I Could Fly Like) Supermanoriginal12A · 123
- (Wish I Could Fly Like) Supermanoriginal12A · 123
- (A) Face in the Crowdoriginal10B · 107
- (A) Face in the Crowdoriginal10B · 108
(Thank You For The) Days is a slow-groove tempo techno track in D major (10B) at 101 BPM. The feel is bright and euphoric. It is vocal-led. A 1968 production that still circulates in sets. More underground than 99% of Kink's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 82% of Kink's catalogue
- Tempo:
- slower than 80% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is (Thank You For The) Days in?
(Thank You For The) Days by Kink is in D major, or 10B on the Camelot wheel.
What BPM is (Thank You For The) Days?
(Thank You For The) Days runs at 101 BPM, a slow-groove tempo track.
What mixes well with (Thank You For The) Days?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is (Thank You For The) Days good for peak time?
With energy 72 out of 100 at 101 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 101 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 95-107 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 101 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 101 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.