People Take Pictures Of Each Other by Kink cover art

People Take Pictures Of Each Other

Kink

Key
8B · C major
BPM
144
Half-time
72
Open Key
1d
Energy
80/100
Pop
0/100
Length
2:22
Released
1968
Album
The Kinks Are the Village Green Preservation Society (Mono)
Genre
Techno
Loudness
-7.8 dB
ISRC
GBACC1934215

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

People Take Pictures Of Each Other: driving up-tempo techno, C major (8B), 144 BPM. The feel is bright and euphoric. It is vocal-led. A 1968 production that still circulates in sets. More underground than 99% of Kink's catalogue.

Groove:
groovier than 92% of Kink's catalogue
Brightness:
brighter than 91% of Kink's catalogue
Tempo:
faster than 78% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood91Bright
Groove74
Acoustic22
Instrumental0
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is People Take Pictures Of Each Other in?

People Take Pictures Of Each Other by Kink is in C major, or 8B on the Camelot wheel.

What BPM is People Take Pictures Of Each Other?

People Take Pictures Of Each Other runs at 144 BPM, a driving up-tempo track.

What mixes well with People Take Pictures Of Each Other?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is People Take Pictures Of Each Other good for peak time?

With energy 80 out of 100 at 144 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 144 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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