Massive Reductions by Kink cover art

Massive Reductions

Kink

30s preview

Key
8B · C major
BPM
143
Half-time
72
Open Key
1d
Energy
94/100
Pop
0/100
Length
3:14
Released
1984
Album
Word of Mouth
Genre
Techno
Loudness
-9.7 dB
Dynamics
17.3 dB
ISRC
USQX91401285

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Massive Reductions: driving up-tempo techno, C major (8B), 143 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). A 1984 production that still circulates in sets. More underground than 99% of Kink's catalogue.

Energy:
hotter than 94% of Kink's catalogue
Brightness:
darker than 91% of Kink's catalogue
Low end:
more treble-tilted than 79% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood30Dark
Groove52
Acoustic4
Instrumental13
Live15
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Massive Reductions in?

Massive Reductions by Kink is in C major, or 8B on the Camelot wheel.

What BPM is Massive Reductions?

Massive Reductions runs at 143 BPM, a driving up-tempo track.

What mixes well with Massive Reductions?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Massive Reductions good for peak time?

With energy 94 out of 100 at 143 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 143 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track