
Fix You
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 3d
- Energy
- 91/100
- Pop
- 19/100
- Length
- 4:32
- Released
- 2025
- Genre
- Techno
- Loudness
- -4.4 dB
- Dynamics
- 13.2 dB
- ISRC
- DEH742525163
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fix You - Extended Mixversion10B · 143
Fix You is a driving up-tempo techno track in D major (10B) at 143 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 98% of Chris Veron's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 97% of Chris Veron's catalogue
- Groove:
- less groove-driven than 89% of Chris Veron's catalogue
- Reach:
- better known than 84% of Chris Veron's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Fix You in?
Fix You by Chris Veron is in D major, or 10B on the Camelot wheel.
What BPM is Fix You?
Fix You runs at 143 BPM, a driving up-tempo track.
What mixes well with Fix You?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Fix You good for peak time?
With energy 91 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 143 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More techno
More from Chris Veron
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.