Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 by Kink cover art

Big Sky - Live: Fillmore West, San Francisco 29 Nov '69

Kink

30s preview

Key
1B · B major
BPM
100
Double-time
200
Open Key
6d
Energy
49/100
Pop
0/100
Length
3:10
Released
2020
Album
Live In San Francisco 1969
Genre
Techno
Loudness
-14.3 dB
Dynamics
13.5 dB
ISRC
CA5KR2009845

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (6B at 98 BPM), this version runs 2 BPM faster and moves the key from 6B to 1B.

At 100 BPM in B major (1B), Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 is a slow-groove tempo techno production. The feel is balanced in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Kink's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 98% of Kink's catalogue
Tempo:
slower than 82% of Kink's catalogue
Energy:
calmer than 80% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood50Balanced
Groove23
Acoustic11
Instrumental1
Live51
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 in?

Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 by Kink is in B major, or 1B on the Camelot wheel.

What BPM is Big Sky - Live: Fillmore West, San Francisco 29 Nov '69?

Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 runs at 100 BPM, a slow-groove tempo track.

What mixes well with Big Sky - Live: Fillmore West, San Francisco 29 Nov '69?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Big Sky - Live: Fillmore West, San Francisco 29 Nov '69 good for peak time?

With energy 49 out of 100 at 100 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 100 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 100 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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