Touch Me - Lorenzo Spano & The Rituals Remix
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 84/100
- Pop
- 1/100
- Length
- 3:39
- Released
- 2020
- Album
- Touch Me (Lorenzo Spano & The Rituals Remix)
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 12.9 dB
- ISRC
- GBPQS2000147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Touch Meoriginal4B · 126
- Touch Me - Extended Mixversion3A · 126
- Touch Me - Kevin McKay Extended Mixversion10B · 124
- Touch Me - Kevin McKay Remixremix7A · 124
- Touch Me - Lorenzo Spano & The Rituals Extended Mixversion6A · 125
Against the original (4B at 126 BPM), this version runs 1 BPM slower and moves the key from 4B to 6A.
At 125 BPM in G minor (6A), Touch Me - Lorenzo Spano & The Rituals Remix is a club-tempo house production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 90% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 76% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Touch Me - Lorenzo Spano & The Rituals Remix in?
Touch Me - Lorenzo Spano & The Rituals Remix by Kevin McKay is in G minor, or 6A on the Camelot wheel.
What BPM is Touch Me - Lorenzo Spano & The Rituals Remix?
Touch Me - Lorenzo Spano & The Rituals Remix runs at 125 BPM, a club-tempo track.
What mixes well with Touch Me - Lorenzo Spano & The Rituals Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Touch Me - Lorenzo Spano & The Rituals Remix good for peak time?
With energy 84 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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