2 On (Kevin McKay & Ludo Lacoste extended ViP) by Kevin McKay cover art

2 On (Kevin McKay & Ludo Lacoste extended ViP)

Kevin McKay

Key
4A · F minor
BPM
124
Open Key
9m
Energy
83/100
Pop
4/100
Length
6:14
Released
2024
Genre
House
Loudness
-6.4 dB
ISRC
GBPQS2400325
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

2 On (Kevin McKay & Ludo Lacoste extended ViP) runs 124 BPM in F minor (4A), a club-tempo house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. Slower than 79% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood52Balanced
Groove81
Acoustic0
Instrumental39
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is 2 On (Kevin McKay & Ludo Lacoste extended ViP) in?

2 On (Kevin McKay & Ludo Lacoste extended ViP) by Kevin McKay is in F minor, or 4A on the Camelot wheel.

What BPM is 2 On (Kevin McKay & Ludo Lacoste extended ViP)?

2 On (Kevin McKay & Ludo Lacoste extended ViP) runs at 124 BPM, a club-tempo track.

What mixes well with 2 On (Kevin McKay & Ludo Lacoste extended ViP)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is 2 On (Kevin McKay & Ludo Lacoste extended ViP) good for peak time?

With energy 83 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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